In one sense this hardly seems newsworthy, but it is telling that even economists think that F Scott Fitzgerald's masterpiece offers the most resonant and economical shorthand for the problems of social mobility, economic inequality and class antagonism that we face today. Nietzsche — whose Genealogy of Morals Fitzgerald greatly admired — called the transformation of class resentment into a moral system "ressentiment"; in America, it is increasingly called the failure of the American dream, a failure now mapped by the "Gatsby curve". Fitzgerald had much to say about the failure of this dream, and the fraudulences that sustain it — but his insights are not all contained within the economical pages of his greatest novel. Indeed, when Fitzgerald published The Great Gatsby in Aprilthe phrase "American dream" as we know it did not exist.
That the two novels present widely disparate views of the concept of the American Dream, therefore, is a natural outgrowth of times in which each story occurs.
Of Mice and Men, of course, tells the story of two men, George and Lennie, the first diminutive in stature but smart and burnt out, the latter a physical giant with diminished mental capacity who is completely reliant on his smaller, smarter friend for protection and guidance.
George and Lennie are itinerant ranch and farm hands, traveling the western agricultural world in perpetual search of employment and place to rest their heads. Their notion of the American Dream is limited to anything better than what they have.
The depths to which their ambitions have fallen can be suggested in the following passage, when the two men are currently staked out at a ranch the foreman of which, Curly, is an abusive bully with an attractive but seemingly promiscuous wife whose suggestions of sexuality belie a desperately lonely human seeking only human companionship with somebody more giving than her husband.
I wanna get outa here.
We can make maybe a couple of dollars a day there, and we might hit a pocket. He wants stability and a safe environment. George, however, wants to be free of his entire existence, including Lennie.
If the mentally-impaired Lennie only wants someone to be with and some animals upon which to lavish attention, George only wants a few dollars in his pocket and the opportunity to be his own man within the extremely limited parameters available to men like him.
He stood them about the fire, close in against the blaze, but not quite touching the flame. Lennie watched him from over the fire.
No mess at all, and when the end of the month come I could take my fifty bucks and go into town and get whatever I want. Why, I could stay in a cat house all night. I could eat any place I want, hotel or any place, and order any damn thing I could think of. Get a gallon of whisky, or set in a pool room and play cards or shoot pool.
Nick, though, wants more. For him, the American Dream is represented by the opulence of New York and the financial services to which he is drawn: The Buchanans, as Nick soon discovers, live in an enormous mansion with seemingly inexhaustible wealth.
It was hard to realize that a man in my own generation was wealthy enough to do that. This American Dream, however, is emotionally stultifying, and comes at the expense of true happiness. If the Buchanans represent the emotionally comatose version of the American Dream, Gatsby represents its rotten underside.
Gatsby earned his fortune through illegal activities like gambling and as a bootlegger, smuggling alcohol into New York in defiance of Prohibition. Towards that goal, the former James Gatz became the fabulously wealthy and somewhat mysterious figure of Jay Gatsby.
Miss Baker had mentioned him at dinner, and that would do for an introduction. Involuntarily I glanced seaward—and distinguished nothing except a single green light, minute and far away, that might have been the end of a dock.
Gatsby, though, is obsessed with a vision of the American Dream that he believes can only be attained through deceit and myriad displays of conspicuous consumption.
George and Lennie would be content having their own small spread of land to farm and on which to raise animals.The Great Gatsby and American Dream The Great Gatsby is written by American author F. Scott Fitzgerald in that describes the story of people on Long Island in the summer of The novel mainly concerns Gatsby, a young and wealthy man and his strong passion and infatuation for Daisy.
In The Great Gatsby, Fitzgerald uses a variety of literary devices to portray the American Dream. One example is the the green light that symbolizes Gatsby’s hopes and dreams for a life with Daisy.
Another symbol is the Valley of the Ashes, which represents the ugly consequences of America’s obsession with wealth. Comparison of the American Dream in The Great Gatsby and “Winter Dreams” Words 4 Pages The short story of “Winter Dreams” was written around the same time that Fitzgerald was developing ideas for a story to turn into a novel.
In Chapter 6, we learn about Gatsby’s less-than-wealthy past, which not only makes him look like the star of a rags-to-riches story, it makes Gatsby himself seem like someone in pursuit of the American Dream, and for him the personification of that dream is Daisy.
Yet Gatsby's corrupt dream of wealth is motivated by an incorruptible love for Daisy. Gatsby's failure does not prove the folly of the American Dream—rather it proves the folly of short-cutting that dream by allowing corruption and materialism to prevail over hard work, integrity, and real love.
Learn exactly what a comparison of the story of gatsby and the american dream happened a comparison of the story of gatsby and the american dream in this chapter, scene, or section of The Great Gatsby blues langston essay the hughes poem analysis weary and what it means · The Great Gatsby is a novel, F.
The Great Gatsby.